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Entry tags:
- alien stage: ivan,
- alien stage: till,
- arcane: viktor,
- arknights: texas,
- event,
- fallout: cooper howard,
- ffxv: ignis scientia,
- hsr: aventurine,
- inception: arthur,
- jujutsu kaisen: megumi fushiguro,
- mod,
- oc: kalmiya longwillow,
- omori: sunny,
- outlast: miles upshur,
- rwby: ozpin,
- smtv: yuzuru atsuta,
- ssss: onni hotakainen,
- teasg: lortel kehelland,
- xenoblade chronicles: noah
CALCUTTA • JULY 2025 EVENT
EVENT: CALCUTTA
ᛗ I am caught, tangled in
( content warnings: body horror, surreal horror, post-apocalyptic themes )
You wake with soil under your nails, something sharp in your mouth, and the scent of damp rust in the back of your throat. The sky is not night, but it is no longer day. Around you, a city's skeleton lies tangled in ruin and overgrowth in the crisp, tail end nips of autumn— skyscrapers strangled by vine and mycelium tower around you, streets are cracked open like wounds. No sound of civilization. Only wind, soft and low like breath.
You are not where you should be, and you are not entirely who you were. Do you remember the dream you had? Perhaps barely, perhaps almost too vividly. You will likely find a mask nearby— one you find familiar. While you may not have the same urgency to wear it as you did within the dreamscape, you at the very least feel the need to carry it with you now.
Some wake in subway tunnels pulsing with bioluminescence, others in penthouse ruins swallowed by moss and red ivy. Rooftop gardens filled with brittle blossoms. Empty galleries hung with paintings that seem to shift when you’re not looking. Vessels are absolutely scattered. You can wake up anywhere that's possible within the bones of this city. Life endures here, but it is changed. In the streets, rats with slick, glowing underskin scurry between collapsed signs. Pigeons wheel overhead, blind-eyed and silent. Dogs and cats roam in feral bands, some marked by fungal growths, others with bodies too long, too many limbs, or split maws bursting with tendrils. Deer can also be found roaming the enclosure of what used to be Central Park, and will open their strange mouths when they seem to stare at you. Seem, because they no longer have eyes to do that with. From deeper shadows and thicker canopies come the zoo escapees: a moose that climb walls and have a petrifying gaze, herds of zebra stand frozen like littered statues until they hear noises, to which they will scatter like roaches. Sewer grates rattle beneath your feet, and something wet and ancient stirs in the depths— Hippos that release toxic gases when threatened lay in the waters and gnaw on anything they could get their teeth on. The most gentle of them all are the giraffes; they still attempt to nibble on the falling sunset leaves where still gathered, and will even come up to humans who offer anything green for them to eat. There's so much more left unsaid, if you're unlucky enough to come across them.
The flora is no safer. Familiar trees such as maple, ginkgo and oak still grow in parks and fracture ciment with their powerful roots. Plenty of the bark is etched with a strange set of sigils that hum when approached. Ivy pulses with low light and throbs when touched. Entire buildings are choked with fungus: spires of mushroom growths that sway despite the absence of wind, spores spilling like ash when disturbed. Moss spreads across broken windows in fractal shapes, responding to movement, to emotion with colors beyond what you could imagine. Wildflowers bloom in moonlight— roses with petal-thorns and daffodils exhale perfume that clouds your thoughts.
And still, the city seems to watch you soundlessly. Beneath your feet, the soil responds. Something old sleeps in the brickwork, the concrete, the iron bones of this place— and your presence has stirred it.
You'd better get moving. Survive.
NOTES:
You are not where you should be, and you are not entirely who you were. Do you remember the dream you had? Perhaps barely, perhaps almost too vividly. You will likely find a mask nearby— one you find familiar. While you may not have the same urgency to wear it as you did within the dreamscape, you at the very least feel the need to carry it with you now.
Some wake in subway tunnels pulsing with bioluminescence, others in penthouse ruins swallowed by moss and red ivy. Rooftop gardens filled with brittle blossoms. Empty galleries hung with paintings that seem to shift when you’re not looking. Vessels are absolutely scattered. You can wake up anywhere that's possible within the bones of this city. Life endures here, but it is changed. In the streets, rats with slick, glowing underskin scurry between collapsed signs. Pigeons wheel overhead, blind-eyed and silent. Dogs and cats roam in feral bands, some marked by fungal growths, others with bodies too long, too many limbs, or split maws bursting with tendrils. Deer can also be found roaming the enclosure of what used to be Central Park, and will open their strange mouths when they seem to stare at you. Seem, because they no longer have eyes to do that with. From deeper shadows and thicker canopies come the zoo escapees: a moose that climb walls and have a petrifying gaze, herds of zebra stand frozen like littered statues until they hear noises, to which they will scatter like roaches. Sewer grates rattle beneath your feet, and something wet and ancient stirs in the depths— Hippos that release toxic gases when threatened lay in the waters and gnaw on anything they could get their teeth on. The most gentle of them all are the giraffes; they still attempt to nibble on the falling sunset leaves where still gathered, and will even come up to humans who offer anything green for them to eat. There's so much more left unsaid, if you're unlucky enough to come across them.
The flora is no safer. Familiar trees such as maple, ginkgo and oak still grow in parks and fracture ciment with their powerful roots. Plenty of the bark is etched with a strange set of sigils that hum when approached. Ivy pulses with low light and throbs when touched. Entire buildings are choked with fungus: spires of mushroom growths that sway despite the absence of wind, spores spilling like ash when disturbed. Moss spreads across broken windows in fractal shapes, responding to movement, to emotion with colors beyond what you could imagine. Wildflowers bloom in moonlight— roses with petal-thorns and daffodils exhale perfume that clouds your thoughts.
And still, the city seems to watch you soundlessly. Beneath your feet, the soil responds. Something old sleeps in the brickwork, the concrete, the iron bones of this place— and your presence has stirred it.
You'd better get moving. Survive.
NOTES:
• You must find shelter, water, and food. Anything that can be found in city stores is plausible, but much of the food will be expired or ransacked by the lives before yours, or animals. The Host-fauna are edible if you can stomach it, and some may talk in tongues before they die. The flora is a mixed bag, from harmless to not.OPTIONAL TOKEN EFFECTS
• The environment is reactive: Touch a wall and it pulses. Step into an abandoned deli and the shelves might whisper for a second.
• Tokens will feel a strange resonance when near remnants of human structure, especially things tied to strong emotion (graffiti, photos, childhood toys, street art, music).OPTIONAL OFFERING EFFECTS
• Tokens will feel warm when close to sites where others have suffered or are remembered deeply. These sensations are disorienting but emotionally vivid, almost like deja vu.
• Tokens could experience nosebleeds or migraines near intense emotional hotspots. This is their magic wanting an outlet, but too newly formed to pour itself out.
• Offerings will feel the thrum of the Murmur, like a second heartbeat in the earth, when near fungal flora or decayed nature.
• Offerings will feel oddly familiar with the world around them, as if it recognizes them and vice verse. Scents linger longer and skin responds to temperature or emotion in exaggerated ways.
• The act of hunting and consuming host fauna is euphoric, but only for a moment— followed by a haunting awareness of their own anatomy shifting from the inside in ways they should fear.
ᛗ
And I wake, say your name
( content warnings: sensory distortion )
One night— it doesn't matter which, time has loosened— your mask beckons. Something is encouraging you to put it on. It sears cold when you do. A pressure behind your eyes grows sharp, then splits. Suddenly, the silence inside your skull isn't yours anymore.
The Murmur is stirring.
A psychic thread pulls taut through your mind like a bow ready to shoot. Language might fail. Images are the easiest to come first— flickers of hands, blood, feathers, fire. Then voices, soft and reverent, speaking your name in words you don't know but understand. Some speak back. Some yell. Some sing. You sense others, Tokens humming with potential, Offerings heavy with heat and pain.
You are not alone. You never were.
NOTES:
OPTIONAL TOKEN EFFECTS:
The Murmur is stirring.
A psychic thread pulls taut through your mind like a bow ready to shoot. Language might fail. Images are the easiest to come first— flickers of hands, blood, feathers, fire. Then voices, soft and reverent, speaking your name in words you don't know but understand. Some speak back. Some yell. Some sing. You sense others, Tokens humming with potential, Offerings heavy with heat and pain.
You are not alone. You never were.
NOTES:
• Your gamewide "network" is live! Try to reach someone through the Murmur. Perhaps a thought, a memory, or just a name. Players are welcomed to create prompts within this log or post to the network community proper.
• Communication may come in fragments. Images repeat, words loop, emotion surges without cause or by accident. One name in particular echoes:
You may try to reach for her, even if your chances are slim. You might end up contacting someone or something else entirely.
OPTIONAL TOKEN EFFECTS:
• Tokens may begin having their first access to inner magic. Not enough to use consciously, but enough to glitch with use, accidental or not. A friendly reminder that characters should not be able to use their magic with ease, yet. Keep in mind they should all have a realistic adjustment period.OPTIONAL OFFERING EFFECTS:
• Tokens may have sensory overlaps: seeing sounds, hearing memories, tasting colors.
• Tokens may be energy sensitive. Areas with high ambient emotion (graveyards, burnt apartments, memorable objects) seem to strengthen their clarity but exaggerate their magic in startling bursts.
• Offerings may have their transformation accelerate when using the Murmur's network, albeit in a way that glitches in and out. A friendly reminder that characters should not be able to use their transformations with ease, yet. Keep in mind they should all have a realistic adjustment period.
• Offerings may hear less words, more songs, breathing, scent— nonverbal communication that may be overwhelming.
• Offerings may experience intense somatic reactions while using the network: twitching limbs, sudden pain, the sense of being stroked or watched.
ᛗ
Wrapped and quartered
( content warnings: body horror )
As the days bleed together, the city begins to still. Where once the overgrowth pulsed with strange life, now it withers back into itself. The streets grow colder. The air bites. The mutated fauna, once noisy, prowling, goes silent. Ivy wilts, retreating from the moonlight. The mushroom towers collapse in on themselves with wet sighs. Even the buildings seem to hold their breath. Your own exhales frost in the air, hanging like ghosts. Above, the sky splits at the seams— crimson bleeding in from the edges, as if the moon itself were being peeled open at the arrival of winter.
And then: the masks begin to thrum.
It is subtle at first, a hum at the base of the spine. A low vibration felt rather than heard. But it grows, constant, inescapable— as if something is ticking down inside you. The masks react even when untouched, glowing faintly, twitching. You feel it in your chest. A second heartbeat. You're urged to put it on.
A voice, familiar and female, threads through the Murmur like static on a broken radio. Espera says:
Your body responds before your mind does. Magic stirs in your bloodstream— volatile and half-born. For some, flame dances along their fingertips, mirrors twitch in response to their gaze, or their pulse sings in electric rhythm. For others, bones shift beneath skin, teeth ache with growth, limbs feel wrong. Something is changing about you. Slowly. Irreversibly.
NOTES:
OPTIONAL OFFERING EFFECTS:
And then: the masks begin to thrum.
It is subtle at first, a hum at the base of the spine. A low vibration felt rather than heard. But it grows, constant, inescapable— as if something is ticking down inside you. The masks react even when untouched, glowing faintly, twitching. You feel it in your chest. A second heartbeat. You're urged to put it on.
A voice, familiar and female, threads through the Murmur like static on a broken radio. Espera says:
Your body responds before your mind does. Magic stirs in your bloodstream— volatile and half-born. For some, flame dances along their fingertips, mirrors twitch in response to their gaze, or their pulse sings in electric rhythm. For others, bones shift beneath skin, teeth ache with growth, limbs feel wrong. Something is changing about you. Slowly. Irreversibly.
NOTES:
• Animal hosts may react reverently to tethered pairs. Lone vessels are ignored, followed, or violently met.OPTIONAL TOKEN EFFECTS
• Winter is here in full, but it doesn't seem natural— it is a forced shift. The city feels colder, quieter, and more hostile. Even the corrupted ecosystem seems to brace for something larger.
• Magic is awakening further. All vessels, Token and Offering alike, begin to experience supernatural phenomena more intensely. These changes are often involuntary, especially under emotional or physical duress. Powers may flicker, trigger, or distort, reflecting the vessel's inner state. They should not have control of it yet.
• The call to Tether is no longer subtle— it is urgent. Even characters who resist connection may optionally feel the biological/spiritual pressure to Tether. Those who remain untethered may begin to feel destabilized, sensitive to The Murmur, and/or experience the subtle beginnings of Succumbence.
• Tokens may have unintentional magic surges in times of distress OR the awakening of "comfort zones". Small, warped spaces where reality thins into dreamscape, resembling meaningful memories (a childhood room, a stage, a battlefield). These zones offer eerie familiarity, but not safety from the weather.
• They may feel watched by something divine, but dispassionate— like being studied under a microscope.
• They may feel a need for proximity so great that the body physically aches. In worst case scenarios, you may even fall ill the longer you ignore your body's cry to dissipate your building magic. Tethering will immediately resolve this.
OPTIONAL OFFERING EFFECTS:
• An Offering's new instincts and transformations may begin to surface. Fear of fire. Yearning for music. It will all depend on what you're becoming. One thing that may be shared is a fierce protectiveness toward nearby Tokens.
• They may sense that something is weighing their souls against an invisible scale— not to punish you, but to categorize you. You have the inexplicable feeling that it is also the same thing that is shaping you.
• They may feel compelled to nest or anchor themselves near a Token's comfort zone or with a Token— circling the space like a sentinel or beast returning home. Tethering will make you whole, calm and seen.
ᛗ
Missing pieces find me
( content warnings: uncanny doppelgängers, possible visions of murder, violence, self harm. )
Winter has settled into everything with soft snowfall. Into your joints. Into the breath you share with others in the dark, or by an impromptu fire with scraps. Into the way your name sounds now when someone says it soft like a secret, or a warning. You've learned to ration warmth like a dwindling supply.
You've grown used to the rhythm of this place: the creak of half-dead buildings, the hollow crunch beneath your feet, the subtle hum that coils through the threads between you and the ones you've chosen to keep close throughout the month. The ones who understand that survival isn't just about staying alive.
But lately, something else has begun to settle in. It's not loud, and certainly not obvious. A shift, like a door left open too long. And that, Dear Vessels, starts in your reflections.
You see it in the fractured edge of glass, or in water that should have frozen weeks ago. In any surface slick enough to cast back your image, you may look, and it looks back. You move, and sometimes it moves too— but not quite right. A second too late. A second too early. Sometimes not at all.
And then it smiles, or frowns, or spits.
It is just enough to be wrong. Unnerving. Just enough to slip under your skin like splinters. You tilt your head— your reflection doesn't. You blink— it watches. And then you turn away. You tell yourself it's the frost. The tension. The light. But when you glance back, it’s still watching you.
Other vessels are seeing it, too, even if they don't say it out loud. They pause at windows. They look into still water a beat too long. They touch their own faces like they're checking for something missing. Or added. Something extra.
At least your reflection isn’t hurting you. Well. Not yet.
NOTES:
OPTIONAL TOKEN EFFECTS:
OPTIONAL OFFERING EFFECTS
You've grown used to the rhythm of this place: the creak of half-dead buildings, the hollow crunch beneath your feet, the subtle hum that coils through the threads between you and the ones you've chosen to keep close throughout the month. The ones who understand that survival isn't just about staying alive.
But lately, something else has begun to settle in. It's not loud, and certainly not obvious. A shift, like a door left open too long. And that, Dear Vessels, starts in your reflections.
You see it in the fractured edge of glass, or in water that should have frozen weeks ago. In any surface slick enough to cast back your image, you may look, and it looks back. You move, and sometimes it moves too— but not quite right. A second too late. A second too early. Sometimes not at all.
And then it smiles, or frowns, or spits.
It is just enough to be wrong. Unnerving. Just enough to slip under your skin like splinters. You tilt your head— your reflection doesn't. You blink— it watches. And then you turn away. You tell yourself it's the frost. The tension. The light. But when you glance back, it’s still watching you.
Other vessels are seeing it, too, even if they don't say it out loud. They pause at windows. They look into still water a beat too long. They touch their own faces like they're checking for something missing. Or added. Something extra.
At least your reflection isn’t hurting you. Well. Not yet.
NOTES:
• A shimmering surface of any kind could reflect two vessels at once but their reflections are fighting. There's blood between them . . .
• At night, the moon above is bright, ice blue and full, with its edges tainted by a splowly spreading crimson. Characters may notice that in reflections, it is completely red and the tendrils from within spew out. A double take will have this reflection of the moon disappearing.
• Characters (especially those who may not be able to see the reflections) may notice and hear their comrade's reflections laughing or speaking to them— they may even respond and try to carry conversation. Note that it's the reflection that's doing this sporadically, and not the real person.
OPTIONAL TOKEN EFFECTS:
• Tokens may notice their hands glowing in thier reflection, but not outside it. After a few moments, the same magic curls up their arms. Their mirrorselves are trying to access their magic for them, so best redirect anything if you want to avoid possible friendly fire.
• They may realize their reflection is always watching their Tether, even as they sleep. It tilts its head, comes crawling with a knife raised, drives it down— then it's gone.
• They may see their mirrorselves practicing violence on nearby objects, anything they could get their hands on.
OPTIONAL OFFERING EFFECTS
• Offerings may wake to burning, superficial claw marks on their sides. Their reflections will be found licking their fingers.
• They may notice their reflection becoming violent with their nearby Tethers; pulling them by the hair, biting into them, prying at their eyes, etc.
• They may see their reflections pushing into existing wounds and feeding, wherever they are.
no subject
[ or the last, but so far he has remained on this path for one reason or another. (of course, there's some interesting details that aren't worth going into regarding the zealous followers of the Amber Lord known as the corporation that Aventurine is an executive for, but maybe will make for a fun oh, yeah, about that— interjection down the road. ]
I create projectiles of an element we call "imaginary," as well as boost your abilities, but mainly I'm an offensive shielder.
no subject
Working with some vague imaginary force of physics to blow things up at range and shield things is, once more, uncomfortably Gojo-adjacent. ]
...it's getting ridiculous how much you resemble that idiot. [ Under his breath. ]
no subject
talk about cosmic forces providing value service. ]
Hm~?
[ casually brushing a couple snowflakes off his coat. ]
no subject
Nothing.
no subject
[ no refunds, it functions as intended: these are features, not bugs!! ]
Ya know... I'm kinda hungry.
no subject
[ Also why are you telling him this. ]
no subject
[ that's why. ]
no subject
[ Naturally, Megumi's stomach is a filthy traitor and picks this moment to growl. Loudly. ]
no subject
Are you vegetarian or anything?
[ come on, let's go, don't make him have to try and hold your hand, megumi. ]
no subject
[ Considering that they're kind of stuck with "whatever they can find that's still edible" and all, Megumi would...even put up with bell peppers, if he must. Sigh. ]
no subject
no subject
[ What kind of diva does this man take him for? They're standing in a post-apocalyptic wasteland, he's just glad they're not eating dead rats! ]
1/2
no subject
[ back to the place he's staying. And if you think this guy would have gone for the fanciest place he could find in a post apocalyptic wasteland... you'd be right. the lobby of what was once a really nice hotel is where they end up, Aventurine going to go light his little fire camp setup with his lighter. The fire is even in an actual old fireplace of the lobby lounge. (Works out kinda nice, honestly.) And there's plenty of comfortable seating despite it deteriorating and whatever else. He's only kept the best condition ones near the fire and cleared everywhere else so he can have other stuff lying around like pots and pans and some clothes and other useful items. There's a lot of scattered batteries on a table, too, it looks like he found a flashlight but so far hasn't been able to find batteries that work. He's actually way more resourceful with scavenging than one would think. There's even a few pillows and blankets on the back of the couches and chair. ]
All right, I can't read the rice packaging, but it's definitely rice. Hopefully the one I got this time cooks as fast as the last one.
[ time to get rice and water from melted snow buckets as well as meat strips he has strategically buried out in the snow at the main entrance. ]
no subject
Not a bad setup. [ Megumi's own camp in the Columbia dorms isn't terribly different in terms of what he's aimed to put together, but the furniture was clearly not so nice to begin with. ]
...I can read it, if you need to. [ Though need is probably a strong word, but hey. ]
no subject
[ he brings back an actual (gasp) unopened box of rice with him over to Megumi, looking pretty enthused that the other can read it for him. He's had a lot of questions about some of the symbols! ]
Great! So, is this instant rice? I never cooked much back home except for when I was a little kid, and we didn't have instant there, but I've heard about it before.
When I cooked the rice from the same box with all the same symbols and everything, I was surprised how fast it cooked. So I figured it must be instant.
[ or it's just having a lack of way to be able to tell time is messing badly with him. but, whatever. ]
no subject
Yeah, this is instant. [ He traces his finger under the word on the packaging. ] This part right here is "instant." It's not the only word that might be used, so there are other ones to watch for, but if you see that, you're good.
[ He flips it over to check the cooking instructions. ] Five minutes. One-to-one ratio on rice to water.
no subject
[ he can do this now. getting to work and putting the little pant with the meat in the first alongside the little pot of water to boil for rice. ]
I think the most unpleasant thing about this whole situation is no electricity and no running water. How about you?
no subject
[ Under other circumstances, it would feel less dire. But coming straight here from hours of fighting and bleeding in Shibuya? Ugh. He's done his best to take a birdbath, he's found clothes that merely smell like mothballs and not like he's run a marathon and then been attacked by an axe murderer, but he does not feel clean and he knows he's probably not going to as long as they're here. ]
no subject
[ the least the weird godlike being could do was make this a less miserable situation by providing the basics. They really have shown they don't know how to make good with humanity so far, do they? ]
no subject
[ But it does have him considering alternatives, now. It's something he hadn't initially given much thought to, since food, water, and medical supplies took precedence over "it would be nice to wash my hair," but. ]
They make some kind of setup for people to take showers while camping. Maybe there's a sporting goods store we can sift through.
no subject
[ he's used to everything having a power source (in the last ten years of his life, anyway) even the stuff used out in the middle of nowhere. The perks of being part of the intergalactic space corporation that's the most in the cosmos with all the latest shit, to be honest. ]
no subject
There are some that need power to get the water pressure, but there are some that you just kind of hang on a tree branch and let gravity do the work. [ Which isn't exciting, but it's still way better than a sponge bath. ]